In the early 1980s Bene devised the body of the actoral machine to definitively ward off the authoral subject in favour of a gradual paring down of the stage, on which the voice gained a growing foothold. The Theatre Biennale Workshop that Bene directed behind closed doors, far "from the altars of dramaturgy", devised as a crucible of actoral machines in which word and sound are freed once and for all of their meaning, came to symbolise the radical problem of meaning-nothing.
 
 
The meeting is part of the EUREKA! Rome 2019 program, promoted by Roma Capitale - Department of Cultural Growth
 

Informazioni

Admission free while places last. Seats assigned from one hour before the start of each encounter. Reservations may be made by membership cardholders only. There will no further admission once the event has started.

Sala Cinema

Admission via the steps in Via Milano 9a